
Stanleytones Band Biography
The Stanleytones Bluegrass Band was formed in 1999,
when the original members met while attending local jam sessions
in the Boulder area. The band was named after the Stanley Brothers,
Ralph and Carter, who played throughout the 50’s until Carter’s
death in 1964. Having recently finished recording a new album,
The Stanleytones’ passion for traditional bluegrass is evident
in the their sound, and has made them into what they are today---a
classic bluegrass band reminiscent of those early bands of the
50’s and 60’s, with an added repertoire of original
compositions comprised of melodic instrumentals and skillful vocal
harmonies.
Individual Bios
Jim
Bertolin has been playing bluegrass since the 1970's
when he played with Windy Ridge Ramblers andn Prairie Union
Bluegrass Band, touring the midwest. He plays a variety
of styles, from classic Scruggs to melodic fiddle tunes,
and old-time frailing. His musical influences for traditional
banjo playing are Earl Scruggs, Ralph Stanley, J.D. Crowe,
but for his melodic influence he credits Bob Black and Jack
Hicks. His favorite new banjo player is Robbie McCoury.
His main dobro influence (did we mention that Jim also is
their dobro player?) is Josh Graves.
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Darrell Cox was born in Fort Collins,
Colo. He grew up a
few hundred miles from there on a ranch in western
Kansas where his family raised cattle and quarter
horses which they raced all over Kansas, Colorado
and New Mexico. Darrell
was raised on old country music and his family’s
musical talent. His mother played the mandolin and
his uncle the guitar and banjo. He became interested
in playing the mandolin once out of high school. As
he moved around the country and even to Germany
the mandolin opened many doors to friendships
that remain strong. He played with several bands
in Wisconsin Blue Eagle, The Lawrence Family,
Blue Sky String Band and Pickin up Speed. He
also played with Brush Arbor south of Memphis
Tenn. Darrell’s
musical influences were John Moore & Bluegrass ETC,
Blue Highway and Ricky Skaggs. Through the years
Darrell has developed his own hard driving style
of playing those cherished fiddle tunes of Bill
Monroe and Ralph Stanley. He
currently plays a Collins MF 5. |
Jamie
Davis
Jamie Davis hails from State College, Pennsylvania. He
is an exceptional flat picker and a top bluegrass rhythm
player as driving as Jimmy Martin. He sings
both lead and tenor with the band. His main influence is
Clarence White for guitar, with the Kentucky Colonels as
one of his favorite bands. Other influences include the
Stanley Brothers, Flatt and Scruggs, the Johnson Mountain
Boys, Dreadful Snakes, Emmy Lou Harris and Buck Owens,
and James Burton to name a few. |
Luke
Eisenhauer began his music career
at age 14 playing electric bass for Pittsburgh, PA alternative
rock and blues/funk bands. Luke studied jazz guitar
and began writing songs at Oberlin College in Ohio where
he managed to sneak into the Conservatory of Music's
instrument storage room and play an upright bass for
the first time. He got hooked on the standup bass, but
it wasn't until he moved to Lyons, Colorado in 2003
that he began playing in earnest. Since moving west,
Luke helped form the Redstone Bluegrass Band and plays
with the Rock City Barnburners, a local americana/bluegrass
group. Luke's main bluegrass influences are Blue Highway,
the Del McCoury Band and Open Road. In the words of
the man: "I'm excited to join
forces with the Stanleytones; these guys pen some great
original material and really get after it when they're
on stage. Come say hello at our next gig!"
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Clarke Wright has been playing Bluegrass in some form or another since the early 1970s. He worked with David Ferretta and the Sunday River Boys in Denver in the mid ‘70s and appears on their Biscuit City recording “You Can Dress ‘Em Up, But You Can’t Take ‘Em Out.” If you ask Clarke how long he has been playing fiddle he will tell you, “Long enough to where you would say, ‘Wow, shouldn’t you be better than that?’” He has spent over 30 years with The Hollywood Rodeo Band and later their pared down acoustic version, High, Wide and Handsome. HRB/HWH recorded 7 albums and has toured extensively, visiting over 40 nations and territories, entertaining our nation’s Armed Forces.
He picked up the fiddle ‘sometime back in the 20th Century’, and is self taught. “When I hit a wrong note or clam-out a break I just blame my teacher,” Clarke says. |
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